lily alssen.
  • bio.
  • say hi.
  • ig.
  • instagram
  • facebook
  • bio.
  • say hi.
  • ig.

ONLINE DOSSIER: SOLARIS (BY ANDREI TARKOVSKI)


Bildschirmfoto 2020-09-18 um 22.54.33
Bildschirmfoto 2020-09-24 um 23.40.11
Bildschirmfoto 2020-09-24 um 23.39.09
Bildschirmfoto 2020-09-24 um 23.37.53
Bildschirmfoto 2020-09-24 um 23.37.42
Bildschirmfoto 2020-09-24 um 23.36.23
Bildschirmfoto 2020-09-24 um 23.36.05
Bildschirmfoto 2020-09-24 um 23.34.58
Bildschirmfoto 2020-09-24 um 23.29.10
Bildschirmfoto 2020-09-24 um 23.17.01
Bildschirmfoto 2020-09-24 um 23.15.36
Bildschirmfoto 2020-09-24 um 23.14.43 Kopie
Bildschirmfoto 2020-09-24 um 23.06.06
Bildschirmfoto 2020-09-24 um 23.05.17
Bildschirmfoto 2020-09-24 um 22.21.19
Bildschirmfoto 2020-09-24 um 22.12.15
Bildschirmfoto 2020-09-24 um 22.03.53
Bildschirmfoto 2020-09-24 um 21.31.30
Bildschirmfoto 2020-09-21 um 00.55.55
Bildschirmfoto 2020-09-21 um 00.47.58
Bildschirmfoto 2020-09-21 um 00.46.51
Bildschirmfoto 2020-09-21 um 00.41.29
Bildschirmfoto 2020-09-21 um 00.41.20
Bildschirmfoto 2020-09-21 um 00.39.17
Bildschirmfoto 2020-09-21 um 00.38.05 Kopie
Bildschirmfoto 2020-09-21 um 00.38.03 Kopie
Bildschirmfoto 2020-09-21 um 00.37.38 Kopie
Bildschirmfoto 2020-09-21 um 00.37.34
Bildschirmfoto 2020-09-20 um 01.10.54
Bildschirmfoto 2020-09-20 um 01.10.25 Kopie
Bildschirmfoto 2020-09-20 um 01.08.20
Bildschirmfoto 2020-09-19 um 00.31.10
Bildschirmfoto 2020-09-19 um 00.28.31
Bildschirmfoto 2020-09-19 um 00.26.34
Bildschirmfoto 2020-09-19 um 00.18.14
Bildschirmfoto 2020-09-19 um 00.15.00 Kopie
Bildschirmfoto 2020-09-18 um 23.57.05
Bildschirmfoto 2020-09-18 um 23.49.53
Bildschirmfoto 2020-09-18 um 23.31.19
Bildschirmfoto 2020-09-18 um 23.24.42
Bildschirmfoto 2020-09-18 um 23.10.18
Bildschirmfoto 2020-09-18 um 23.09.29
Bildschirmfoto 2020-09-18 um 23.04.46
Bildschirmfoto 2020-09-18 um 23.03.39
Bildschirmfoto 2020-09-18 um 22.57.46

Screenshots from Solaris.

In the conversation I had with Pia Johnson, she mentioned Andrei Tarkovski’s polaroids. And apparently Lars von Trier was an admirer of Andrei Tarkowski. Enough reasons to watch this 167 min movie. The visual language, how Tarkowski portraits the women in his movie and plays with reflection and beautiful compositions are dreamlike. Even though it is a sci-fi movie, he does not emphasize this. He uses landscape pictures to pause the narrative, a method I am also using in my series: photographs that fit the other pictures but are not as complex and rather give the viewer time to briefly relax.

andreitarkovsky
PREV WEEK 9: SUPERVISOR SESSION
NEXT ONLINE DOSSIER: 3 WOMEN (BY ROBERT ALTMAN)
  • This is my process journal for my semester project at RMIT Masters of Photography.

    Have fun scrolling through my mind.

  • back to overview

    • process journal
    • soliloquy
    • iso-spective
    • infinity mirror [pt1]
    • infinity mirror
    • infinity mirror [b side]
  • categories

    • semester 1 (46)
      • group crit (semester 1) (2)
      • online dossier (semester 1) (27)
      • proposal (semester 1) (1)
      • review (semester 1) (3)
      • supervision (semester 1) (13)
    • semester 2 (47)
      • ground for thoughts (semester 2) (2)
      • group crit (semester 2) (2)
      • online dossier (semester 2) (26)
      • progress (semester 2) (3)
      • proposal (semester 2) (1)
      • review (semester 2) (2)
      • supervision (semester 2) (15)
    • semester 3 (33)
      • ground for thoughts (semester 3) (1)
      • group crit (semester 3) (2)
      • online dossier (semester 3) (15)
      • project page (semester 3) (3)
      • proposal (semester 3) (1)
      • supervision (semester 3) (12)
    • semester 4 (47)
      • ground for thoughts (semester 4) (4)
      • group crit (semester 4) (4)
      • online dossier (semester 4) (18)
      • project page (semester 4) (3)
      • supervision (semester 4) (18)
  • recent posts

    • WEEK 17: TEST INSTALLATION
    • PROJECT PAGE: MICHELLE
    • PROJECT PAGE: QI
    • PROJECT PAGE: NIKOLA
    • WEEK 16: SUPERVISOR SESSION (W/ SHANE)
    • WEEK 15: SUPERVISOR SESSION (W/ SHANE)
    • WEEK 14: SUPERVISOR SESSION (W/ SHANE)
    • WEEK 13: SUPERVISOR SESSION (W/ SHANE)
    • WEEK 12: SUPERVISOR SESSION 2 (W/ SHANE)
    • WEEK 12: SUPERVISOR SESSION (W/ SHANE)
    • WEEK 11: SUPERVISOR SESSION (W/ SHANE)
    • WEEK 10: GROUP CRIT III
    • ONLINE DOSSIER: JOHN SULER AND RICHARD ZAKIA »PERCEPTION AND IMAGING: PHOTOGRAPHY AS A WAY OF SEEING«
    • WEEK 10: SUPERVISOR SESSION (W/ SHANE)
    • ONLINE DOSSIER: ERWIN WURM
    • WEEK 9: SUPERVISOR SESSION (W/ SHANE)
    • WEEK 8: GROUND FOR THOUGHTS (W/ ADELE VARCOE)
    • WEEK 8: SUPERVISOR SESSION (W/ SHANE)
    • ONLINE DOSSIER: CLARK MOUSTAKAS »HEURISTIC RESEARCH: DESIGN, METHODOLOGY, AND APPLICATIONS«
    • ONLINE DOSSIER: LECTURE TOOLS FOR CREATIVE RESEARCH BY SALLY MANNALL »HEURISTIC METHODOLOGY«
    • ONLINE DOSSIER: VERA JOHN-STEINER »CREATIVE COLLABORATION«
    • ONLINE DOSSIER: YVA
    • ONLINE DOSSIER: GERO VON BOEHM »HELMUT NEWTON – THE BAD AND THE BEAUTIFUL«
    • WEEK 7: GROUP CRIT II
    • WEEK 7: SUPERVISOR SESSION (W/ DAVID)
copyright lily alssen. 2021